This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...
Research on British landscape art has been a recurrent theme in the century-long history of Tate Britain and its forerunner, the Tate Gallery. Tate’s collection includes many thousands of paintings ...
In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...
Miss Alice Gostick was a teacher at Castleford Secondary School, which Moore attended between the ages of eleven and eighteen. A member of the Art Teachers’ Guild, Miss Gostick advocated a progressive ...
Longinus, ‘Longinus on the Sublime’, trans. by W.H. Fyfe and Donald Russell, in Jeffrey Henderson (ed.), Aristotle, Poetics; Longinus, on the Sublime; Demetrius ...
Cansu Çakar: New Rarities From 19 October 2024 Rotunda, Tate St Ives, Porthmeor Beach, St Ives TR26 1TG Open daily ...
Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...
Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...
Robert Bevan and Stanislawa de Karlowska settle at 14 Adamson Road in the Swiss Cottage area of London. Albert Rutherston contributes two pictures to the New English Art Club and meets Walter Sickert ...
The earliest performances were just groups of demonstrations of objects; by talking about them, their meanings changed....Then they started becoming subsumed by the language and that’s how the long ...
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